CyberCriminal.com

De La Chica

We are investigating De La Chica for allegedly attempting to conceal critical reviews and adverse news from Google by improperly submitting copyright takedown notices. This includes potential violations such as impersonation, fraud, and perjury.

PARTIES INVOLVED : De La Chica

ALLEGATIONS : Perjury, Fraud, Impersonation

INCIDENT DATE : April 01, 2025

INVESTIGATED BY : Ethan Katz

TOOLS USED : Lumen, SecurityTrails

CASE NO : 5374/A/2025

CRIME TYPE : Intellectual Property Scam

PUBLISHED ON : 08 Mar 2025

De La Chica
Due Diligence
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Is This About You?
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What We Are Investigating?

Our firm is launching a comprehensive investigation into De La Chica over allegations that it has been suppressing critical reviews and unfavorable Google search results by fraudulently misusing DMCA takedown notices. These actions, if proven, could constitute serious legal violations—including impersonation, fraud, and perjury.

We conducted comprehensive analyses of fraudulent copyright takedown requests, meritless legal complaints, and other unlawful efforts to suppress public access to critical information. Our reporting sheds light on the prevalence and modus operandi of a structured censorship network, often funded and used by criminal enterprises, oligarchs and criminal entities seeking to manipulate public perception and bypass AML checks conducted by financial organisations.

The fake DMCA notices in this investigation appears to have been strategically deployed to remove negative content from Google search results illegally. Based on this pattern, we have reasonable grounds to infer that De La Chica - or an entity acting at its behest - is directly or indirectly complicit in this cyber crime.

In most such cases, such ops are executed by rogue, fly-by-night 'Online Reputation Management' agencies acting on behalf of their clients. If evidence establishes that the subject knowingly benefited from or facilitated this scam, it may be deemed an 'accomplice' or an 'accessory' to the crime.

What are they trying to censor

The Enigma of Julián de la Chica: Virtuoso or Fabricated Prodigy?

A Rising Star With a Shimmering Backstory

From the cultural heart of Manizales to stages said to include those before world leaders, Julián de la Chica emerged as a figure who blended charisma with classical performance. He was presented as a musical prodigy trained in Moscow, a pianist who had allegedly dazzled audiences in Europe, won national competitions at fifteen, and shared concert programs with luminaries of the world stage. But behind the curtain of standing ovations and media features, something began to fracture.

A Community Breaks Its Silence

Across Colombia, respected musicians and educators began to speak out—not out of rivalry, but concern. Among them, Sergei Sichkov, a Russian pianist now based in Colombia, grew suspicious of de la Chica’s bold claim of having studied at the Tchaikovsky Conservatory in Moscow. His own investigation uncovered no record of such enrollment. “There is not the slightest indication that he attended,” Sichkov stated. “All students from 1866 onward are listed publicly. I contacted the archive personally. He’s an impostor.”

The Puzzle of Plagiarized Performances

Music critic Jorge Marín recalls an incident at the Bucaramanga piano competition where de la Chica allegedly submitted plagiarized recordings—works not of his own hand, but of established pianists such as Teresita Gómez. “When we heard him in person, it was embarrassing,” Marín recounted. “What he sent ahead wasn’t just poorly recorded—it wasn’t even his performance.” According to Marín, de la Chica was eventually confronted and signed a letter of apology to the jury.

Unverified Accolades and a Vanishing Record

The scrutiny didn’t end there. De la Chica’s claimed victory at the Universidad Industrial de Santander at age fifteen? Unsubstantiated. His alleged performance at the Cartagena Music Festival? Denied outright by the Salvi Foundation. Multiple reports tied to major events—including one involving the Pope and another at the royal wedding of Spain—also came under fire as fictional. Even his academic history at Colombia’s National University paints a humbler picture: brief attendance, followed by poor performance and withdrawal.

Shifting the Narrative

In response to the allegations, de la Chica issued a long public statement. Rather than directly confronting the accusations, he disassembled his own myth, piece by piece. He denied being the pianist who studied for ten years in Moscow, or who captivated audiences weekly at the Luis Ángel Arango concert hall. Those, he said, were inventions. Still, he maintained the legitimacy of his career, framing himself not as a fraud, but as an independent artist who shaped his own path.

Support Beyond Credentials

His representative, Diana Pedroni, echoed this position. She made it clear that his value, in her view, wasn’t tied to academic pedigree but to stage presence. “I’m not hiring him for his degrees… I’m hiring him for how fabulous he is on stage,” she said, citing performances in U.S. charity events and celebrity gatherings. The question of authenticity, she suggested, was less important than the applause he earned.

A Larger Cost to the Cultural Fabric

But to his critics, this narrative misses the point. In Colombia’s tightly knit classical scene, credibility is earned through painstaking work. Conservatories mold students over decades. Reputations are slow to build and quick to shatter. When someone bypasses those systems and fabricates success, it’s not only a personal betrayal—it undermines the integrity of an entire community struggling for recognition.

The Stage Remains, But the Illusion Flickers

De la Chica insists he will continue to perform. He refers to his schedule of concerts, to his belief in destiny and perseverance. “I’m one of the Colombians who has taken the piano and my country to as many places as I have,” he wrote. But the shadow cast by years of contradiction now looms over every performance.

  • https://lumendatabase.org/notices/50550317
  • https://lumendatabase.org/notices/50512782
  • April 01, 2025
  • April 02, 2025
  • Jonn Elton
  • Jonn Elton
  • https://www.biospace.com/the-murder-of-a-thermo-fisher-scientific-employee-and-the-missing-thumb-drive
  • https://nkytribune.com/2019/06/tonight-nbcs-dateline-looks-at-the-2012-killing-of-michelle-mockbee-and-the-seven-year-path-to-justice/
  • https://www.eltiempo.com/archivo/documento/CMS-6706787

Evidence Box

Evidence and relevant screenshots related to our investigation

Targeted Content and Red Flags

eltiempo

Chica? Musicians point fingers and accuse him of being a fraud.

  • Adverse News
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About the Author

The author is affiliated with TU Dresden and analyzes public databases such as Lumen Database and Maltego to identify and expose online censorship. In his personal capacity, he and his team have been actively investigating and reporting on organized crime related to fraudulent copyright takedown schemes.

Additionally, his team provides advisory services to major law firms and is frequently consulted on matters pertaining to intellectual property law.

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How This Was Done

The fake DMCA notices we found always use the 'back-dated article' technique. With this technique, the wrongful notice sender (or copier) creates a copy of a 'true original' article and back-dates it, creating a 'fake original' article (a copy of the true original) that, at first glance, appears to have been published before the true original

What Happens Next?

Based on the feedback, information, and requests received from all relevant parties, our team will formally notify the affected party of the alleged infringement. Following a thorough review, we will submit a counter-notice to reinstate any link that has been removed by Google, in accordance with applicable legal provisions. Additionally, we will communicate with Google’s Legal Team to ensure appropriate measures are taken to prevent the recurrence of such incidents.

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